On the Internet, nobody knows you're a dog
"On the Internet, nobody knows you're a dog" is the caption of a single-panel cartoon by Peter Steiner, published in The New Yorker on July 5, 1993. Two dogs share a room: one sits at a desk with a paw on the keyboard of a computer, explaining the line to a second dog seated on the floor. More than three decades later, the caption remains the shortest and best-known statement of a problem at the heart of Bullshitopedia's work: online, anyone can claim to be anyone.
The joke and its timing
The cartoon appeared just as ordinary Americans were beginning to go online through bulletin boards and early commercial services. Its humor depends on a simple gap. The dog at the keyboard knows what it is; the people on the other end of the connection know only what it types. Nothing in the network checks.
Steiner, a regular contributor to the magazine since 1979, later said he thought of it as an ordinary gag and had little interest in the Internet at the time. He was surprised by how far it travelled. It became the most reprinted cartoon in The New Yorker's history, earning him substantial licensing income over the years, and the original drawing sold at auction in 2023 for $175,000, reported at the time as a record price for a cartoon.
Two readings
The caption has always been read in two ways.
- As liberation. Commentators in the 1990s saw it as a promise: online, people could be judged by their words rather than their appearance, accent, age, race or status. The sociologist Sherry Turkle and others wrote about the freedom to try on new identities.
- As warning. The same gap that frees people also protects impostors. The legal scholar Lawrence Lessig pointed out that the Internet's basic design never required anyone to prove who they were. What looked like a playful freedom in 1993 is also the foundation for fake accounts, fabricated experts, sock puppets and scams.
Both readings are true at once, which is part of why the cartoon has lasted.
Why it matters now
The problem the cartoon described has grown in scale and sophistication. In 1993 the dog still had to type for itself. Today, coordinated networks of fake accounts, paid influence operations and AI systems can generate convincing personas, writing and even voices at almost no cost. Bots now account for more than half of all web traffic, and a large share of newly published online articles are primarily machine-written. The question the cartoon raised, how to know who or what is speaking, has become one of the defining questions of public life.
For Bullshitopedia, the cartoon is a reminder of a basic editorial principle: who is making a claim matters, but on the Internet identity is easy to fake. That is why entries here rely on documented, verifiable evidence rather than the apparent authority of a source. See the Imposture tactic, which covers content and sources that pose as something they are not.
Legacy
The line has been borrowed, parodied and updated countless times, from a 1990s stage play and an Apple software product named in its honor to later New Yorker cartoons that revisit the same two dogs in a world of social media and data tracking. It is printed on mugs and T-shirts and quoted in academic work on online identity. Few drawings have summarized a technology's central tension so economically.
See also
- The Art of Deception (Mitnick), on impersonation and social engineering
- Trust Me, I'm Lying (Holiday), on manufactured sources
- LikeWar (Singer & Brooking), on fake accounts as a weapon